{"id":607,"date":"2017-12-10T21:30:16","date_gmt":"2017-12-10T21:30:16","guid":{"rendered":"https:\/\/dlmm.library.jhu.edu\/?page_id=607"},"modified":"2021-05-03T20:19:48","modified_gmt":"2021-05-03T20:19:48","slug":"table-des-enluminures","status":"publish","type":"page","link":"https:\/\/dlmm.library.jhu.edu\/fr\/bibliotheque-numerique-du-roman-de-la-rose\/table-des-enluminures\/","title":{"rendered":"Table des Enluminures"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Cette rubrique pr\u00e9sente une liste des enluminures se trouvant dans les manuscrits du Roman de la Rose<\/em> ci-inclus. Nous donnons le titre de chaque peinture en anglais \u2013 \u201cIllustration Title\u201d \u2013 tout en maintenant la version fran\u00e7aise du nom des personnages (le lecteur trouvera un r\u00e9pertoire des noms de personnages ainsi que leurs variantes en moyen fran\u00e7ais en cliquant sur Noms des personnages<\/a>). Ceux qui d\u00e9sirent rechercher une ou plusieurs peintures pr\u00e9cises doivent utiliser the advanced search tool<\/em>, une fonction du lecteur IIIF. Pour acc\u00e9der \u00e0 une liste globale des enluminures se trouvant dans les manuscrits de notre site, vous pouvez consulter le r\u00e9pertoire des enluminures du Roman de la Rose<\/em> dans le Google Documents<\/a> associ\u00e9 \u00e0 notre site.<\/p>\n

La colonne \u201cPosition\u201d repr\u00e9sente le nombre moyen de pages du corpus contenant l\u2019enluminure en question. La colonne \u201cFrequency\u201d repr\u00e9sente le nombre d\u2019enluminures portant ce titre dans les manuscrits de notre corpus.<\/p>\n

 <\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Position<\/td>\nL\u00e9gende d’illustration<\/td>\nFr\u00e9quence<\/td>\n<\/tr>\n
\n
0<\/div>\n<\/td>\n
\n
The Dream of Scipio<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
0<\/div>\n<\/td>\n
\n
L\u2019Amans Goes into the Countryside<\/div>\n<\/td>\n
\n
7<\/div>\n<\/td>\n<\/tr>\n
\n
0<\/div>\n<\/td>\n
\n
Guillaume de Lorris Lectures to Students<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
0<\/div>\n<\/td>\n
\n
L\u2019Amans Dreams He Rises and Dresses<\/div>\n<\/td>\n
\n
11<\/div>\n<\/td>\n<\/tr>\n
\n
1<\/div>\n<\/td>\n
\n
L\u2019Amans Approaches the River<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
2<\/div>\n<\/td>\n
\n
Portrait of Haine<\/div>\n<\/td>\n
\n
29<\/div>\n<\/td>\n<\/tr>\n
\n
2<\/div>\n<\/td>\n
\n
L\u2019Amans Discovers the Garden of Deduiz<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
3<\/div>\n<\/td>\n
\n
Portrait of Author (Guillaume de Lorris)<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
4<\/div>\n<\/td>\n
\n
Portrait of Vilanie<\/div>\n<\/td>\n
\n
21<\/div>\n<\/td>\n<\/tr>\n
\n
4<\/div>\n<\/td>\n
\n
Portrait of Avarice<\/div>\n<\/td>\n
\n
28<\/div>\n<\/td>\n<\/tr>\n
\n
4<\/div>\n<\/td>\n
\n
Portrait of Covoitise<\/div>\n<\/td>\n
\n
30<\/div>\n<\/td>\n<\/tr>\n
\n
5<\/div>\n<\/td>\n
\n
Portrait of Felonie<\/div>\n<\/td>\n
\n
13<\/div>\n<\/td>\n<\/tr>\n
\n
5<\/div>\n<\/td>\n
\n
Portrait of Envie<\/div>\n<\/td>\n
\n
29<\/div>\n<\/td>\n<\/tr>\n
\n
6<\/div>\n<\/td>\n
\n
Portrait of Tritesce<\/div>\n<\/td>\n
\n
29<\/div>\n<\/td>\n<\/tr>\n
\n
7<\/div>\n<\/td>\n
\n
Portrait of Vielleice<\/div>\n<\/td>\n
\n
29<\/div>\n<\/td>\n<\/tr>\n
\n
7<\/div>\n<\/td>\n
\n
L\u2019Amans Sleeps<\/div>\n<\/td>\n
\n
41<\/div>\n<\/td>\n<\/tr>\n
\n
7<\/div>\n<\/td>\n
\n
Portrait of Papelardie<\/div>\n<\/td>\n
\n
29<\/div>\n<\/td>\n<\/tr>\n
\n
8<\/div>\n<\/td>\n
\n
Portrait of Povrete<\/div>\n<\/td>\n
\n
29<\/div>\n<\/td>\n<\/tr>\n
\n
9<\/div>\n<\/td>\n
\n
L\u2019Amans at the Gate of the Garden of Deduiz<\/div>\n<\/td>\n
\n
9<\/div>\n<\/td>\n<\/tr>\n
\n
9<\/div>\n<\/td>\n
\n
Leesce and Amors<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
9<\/div>\n<\/td>\n
\n
Cortoisie Invites L\u2019Amans to Dance<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
9<\/div>\n<\/td>\n
\n
Oiseuse Opens the Gate of the Garden of Deduiz<\/div>\n<\/td>\n
\n
9<\/div>\n<\/td>\n<\/tr>\n
\n
9<\/div>\n<\/td>\n
\n
Deduiz and Leesce<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
10<\/div>\n<\/td>\n
\n
Portrait of Biautez<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
11<\/div>\n<\/td>\n
\n
Oiseuse Recounts the Creation of the Garden of Deduiz<\/div>\n<\/td>\n
\n
15<\/div>\n<\/td>\n<\/tr>\n
\n
11<\/div>\n<\/td>\n
\n
The Dance in the Garden of Deduiz<\/div>\n<\/td>\n
\n
25<\/div>\n<\/td>\n<\/tr>\n
\n
13<\/div>\n<\/td>\n
\n
Amors with His Compagnons<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
13<\/div>\n<\/td>\n
\n
Amors with Biautez, Richece and Largesce<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
13<\/div>\n<\/td>\n
\n
Portrait of Oiseuse<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
13<\/div>\n<\/td>\n
\n
Portrait of Amors<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
13<\/div>\n<\/td>\n
\n
L\u2019Amans Watches the Dance<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
14<\/div>\n<\/td>\n
\n
L\u2019Amans Enters the Garden of Deduiz<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
15<\/div>\n<\/td>\n
\n
Portrait of Cortoisie<\/div>\n<\/td>\n
\n
7<\/div>\n<\/td>\n<\/tr>\n
\n
15<\/div>\n<\/td>\n
\n
Portrait of Largesce<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
15<\/div>\n<\/td>\n
\n
Portrait of Franchise<\/div>\n<\/td>\n
\n
7<\/div>\n<\/td>\n<\/tr>\n
\n
15<\/div>\n<\/td>\n
\n
Portrait of Joinece<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
15<\/div>\n<\/td>\n
\n
Portrait of Richece<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
15<\/div>\n<\/td>\n
\n
Amors Takes His Golden Bow<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
16<\/div>\n<\/td>\n
\n
L\u2019Amans Describes Amors\u2019 Compagnons<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
16<\/div>\n<\/td>\n
\n
Amors and Douz Regart<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
17<\/div>\n<\/td>\n
\n
L\u2019Amans Sees the Rose in the Mirror<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
17<\/div>\n<\/td>\n
\n
L\u2019Amans Alone after Amors Leaves<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
18<\/div>\n<\/td>\n
\n
L\u2019Amans Speaks to Bel Acueil<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
20<\/div>\n<\/td>\n
\n
Franchise Pleads L\u2019Amans\u2019 Cause with Dangier<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
21<\/div>\n<\/td>\n
\n
Narcisus at the Fountain<\/div>\n<\/td>\n
\n
24<\/div>\n<\/td>\n<\/tr>\n
\n
21<\/div>\n<\/td>\n
\n
Narcisus Drowns<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
22<\/div>\n<\/td>\n
\n
The Miroir P\u00e9rilleux<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
22<\/div>\n<\/td>\n
\n
Amors and Douz Regart Follow L\u2019Amans<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
22<\/div>\n<\/td>\n
\n
L\u2019Amans at the Fountain of Narcisus<\/div>\n<\/td>\n
\n
14<\/div>\n<\/td>\n<\/tr>\n
\n
24<\/div>\n<\/td>\n
\n
Amors Shoots L\u2019Amans with His Arrows<\/div>\n<\/td>\n
\n
29<\/div>\n<\/td>\n<\/tr>\n
\n
26<\/div>\n<\/td>\n
\n
L\u2019Amans Speaks to Amors<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
26<\/div>\n<\/td>\n
\n
Amors Follows L\u2019Amans<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
27<\/div>\n<\/td>\n
\n
Amors Locks L\u2019Amans\u2019 Heart<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
28<\/div>\n<\/td>\n
\n
L\u2019Amans Approaches the Rose<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
28<\/div>\n<\/td>\n
\n
L\u2019Amans Pays Homage to Amors<\/div>\n<\/td>\n
\n
19<\/div>\n<\/td>\n<\/tr>\n
\n
29<\/div>\n<\/td>\n
\n
Amors and L\u2019Amans Embrace<\/div>\n<\/td>\n
\n
11<\/div>\n<\/td>\n<\/tr>\n
\n
31<\/div>\n<\/td>\n
\n
Amors Takes L\u2019Amans Prisoner<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
32<\/div>\n<\/td>\n
\n
Douz Palers Comforts L\u2019Amans<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
32<\/div>\n<\/td>\n
\n
Amors Explains His Commandments<\/div>\n<\/td>\n
\n
13<\/div>\n<\/td>\n<\/tr>\n
\n
32<\/div>\n<\/td>\n
\n
Douz Pensers Comforts L\u2019Amans<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
33<\/div>\n<\/td>\n
\n
Douz Regart Comforts L\u2019Amans<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
38<\/div>\n<\/td>\n
\n
Bel Acueil Offers L\u2019Amans the Rose<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
39<\/div>\n<\/td>\n
\n
Dangier Warns Off L\u2019Amans<\/div>\n<\/td>\n
\n
10<\/div>\n<\/td>\n<\/tr>\n
\n
40<\/div>\n<\/td>\n
\n
Dangier Warns Off Bel Acueil<\/div>\n<\/td>\n
\n
11<\/div>\n<\/td>\n<\/tr>\n
\n
41<\/div>\n<\/td>\n
\n
Reson Scolds L\u2019Amans<\/div>\n<\/td>\n
\n
21<\/div>\n<\/td>\n<\/tr>\n
\n
41<\/div>\n<\/td>\n
\n
Bel Acueil Speaks to L\u2019Amans<\/div>\n<\/td>\n
\n
22<\/div>\n<\/td>\n<\/tr>\n
\n
41<\/div>\n<\/td>\n
\n
Honte Speaks to Dangier<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
42<\/div>\n<\/td>\n
\n
L\u2019Amans and Franchise with Dangier<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
42<\/div>\n<\/td>\n
\n
L\u2019Amans Smells the Rose<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
44<\/div>\n<\/td>\n
\n
Franchise Speaks to Bel Acueil<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
44<\/div>\n<\/td>\n
\n
Amors Leaves L\u2019Amans<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
44<\/div>\n<\/td>\n
\n
Malebouche Spreads Rumors About Bel Acueil<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
45<\/div>\n<\/td>\n
\n
Venus Intercedes with Bel Acueil<\/div>\n<\/td>\n
\n
9<\/div>\n<\/td>\n<\/tr>\n
\n
45<\/div>\n<\/td>\n
\n
L\u2019Amans Apologizes to Dangier<\/div>\n<\/td>\n
\n
11<\/div>\n<\/td>\n<\/tr>\n
\n
47<\/div>\n<\/td>\n
\n
Franchise and Pitie Plead L\u2019Amans\u2019 Cause with Dangier<\/div>\n<\/td>\n
\n
16<\/div>\n<\/td>\n<\/tr>\n
\n
47<\/div>\n<\/td>\n
\n
Dangier Speaks to L\u2019Amans<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
47<\/div>\n<\/td>\n
\n
Bel Acueil with the Rose<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
48<\/div>\n<\/td>\n
\n
Malebouche Speaks to Jalousie<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
48<\/div>\n<\/td>\n
\n
Franchise Sends Bel Acueil to L\u2019Amans<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
49<\/div>\n<\/td>\n
\n
Honte Speaks to Jalousie<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
49<\/div>\n<\/td>\n
\n
Jalousie Chastises Bel Acueil<\/div>\n<\/td>\n
\n
9<\/div>\n<\/td>\n<\/tr>\n
\n
49<\/div>\n<\/td>\n
\n
L\u2019Amans Sees the Rose<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
50<\/div>\n<\/td>\n
\n
Jalousie Chastises Bel Acueil and L\u2019Amans<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
50<\/div>\n<\/td>\n
\n
Malebouche Wakes Jalousie<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
51<\/div>\n<\/td>\n
\n
Peor Speaks to Honte<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
51<\/div>\n<\/td>\n
\n
Jalousie Speaks to Honte<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
52<\/div>\n<\/td>\n
\n
L\u2019Amans Responds to Reson<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
52<\/div>\n<\/td>\n
\n
L\u2019Amans Kisses the Rose<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
53<\/div>\n<\/td>\n
\n
Honte and Peor Wake Dangier<\/div>\n<\/td>\n
\n
12<\/div>\n<\/td>\n<\/tr>\n
\n
55<\/div>\n<\/td>\n
\n
Building the Castle of Jalousie<\/div>\n<\/td>\n
\n
12<\/div>\n<\/td>\n<\/tr>\n
\n
56<\/div>\n<\/td>\n
\n
L\u2019Amans Kisses the Door Knocker of a Castle<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
57<\/div>\n<\/td>\n
\n
L\u2019Amans Kisses Bel Acueil<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
58<\/div>\n<\/td>\n
\n
Bel Acueil Brings L\u2019Amans to the Rose<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
59<\/div>\n<\/td>\n
\n
Honte and Peor Speak to Dangier<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
59<\/div>\n<\/td>\n
\n
L\u2019Amans Leaves Richece<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
60<\/div>\n<\/td>\n
\n
L\u2019Amans Despairs<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
64<\/div>\n<\/td>\n
\n
Bel Acueil Imprisoned<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
70<\/div>\n<\/td>\n
\n
Fausemblant Speaks to Male Bouche<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
71<\/div>\n<\/td>\n
\n
Vielle Speaks to Contreinte Atenance and Fausemblant<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
72<\/div>\n<\/td>\n
\n
Amis Counsels L\u2019Amans<\/div>\n<\/td>\n
\n
18<\/div>\n<\/td>\n<\/tr>\n
\n
74<\/div>\n<\/td>\n
\n
Venus Offers the Rose to L\u2019Amans<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
74<\/div>\n<\/td>\n
\n
Vielle Quiets Bel Acueil<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
75<\/div>\n<\/td>\n
\n
Reson Speaks to L\u2019Amans<\/div>\n<\/td>\n
\n
26<\/div>\n<\/td>\n<\/tr>\n
\n
75<\/div>\n<\/td>\n
\n
Virginius Beheading Virginia<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
77<\/div>\n<\/td>\n
\n
The Wheel of Fortune<\/div>\n<\/td>\n
\n
12<\/div>\n<\/td>\n<\/tr>\n
\n
78<\/div>\n<\/td>\n
\n
Slaves of Money<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
84<\/div>\n<\/td>\n
\n
Virginius Carrying Virginia\u2019s Head<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
84<\/div>\n<\/td>\n
\n
Vielle Speaks to Bel Acueil<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
84<\/div>\n<\/td>\n
\n
Amis Gives Money to L\u2019Amans<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
85<\/div>\n<\/td>\n
\n
Dangier, Peor and Honte Beat Bel Acueil<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
86<\/div>\n<\/td>\n
\n
L\u2019Amans Sees the Body of Guillaume de Lorris<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
86<\/div>\n<\/td>\n
\n
L\u2019Amans Acknowledges Amis\u2019 Comfort<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
87<\/div>\n<\/td>\n
\n
The Residence of Fortune<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
88<\/div>\n<\/td>\n
\n
Croesus Saved from the Pyre<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
88<\/div>\n<\/td>\n
\n
Amis Again Counsels L\u2019Amans<\/div>\n<\/td>\n
\n
21<\/div>\n<\/td>\n<\/tr>\n
\n
88<\/div>\n<\/td>\n
\n
Portrait of Author (Jean de Meun)<\/div>\n<\/td>\n
\n
25<\/div>\n<\/td>\n<\/tr>\n
\n
88<\/div>\n<\/td>\n
\n
Honte Fights Pitie<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
89<\/div>\n<\/td>\n
\n
Virginius Pleads with Appius Claudius to Return Virginia<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
90<\/div>\n<\/td>\n
\n
Nero Runs Away<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
92<\/div>\n<\/td>\n
\n
Seneca Kills Himself<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
93<\/div>\n<\/td>\n
\n
Amors Responds to His Barons<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
94<\/div>\n<\/td>\n
\n
Charles I of Naples Defeats Manfred<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
94<\/div>\n<\/td>\n
\n
Amors Speaks to L\u2019Amans<\/div>\n<\/td>\n
\n
19<\/div>\n<\/td>\n<\/tr>\n
\n
94<\/div>\n<\/td>\n
\n
Vielle Brings L\u2019Amans and Amis into Castle<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
96<\/div>\n<\/td>\n
\n
Fortune with a Man<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
97<\/div>\n<\/td>\n
\n
Phanie Interprets Croesus\u2019 Dream<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
99<\/div>\n<\/td>\n
\n
Nero Kills Himself<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
99<\/div>\n<\/td>\n
\n
Nero Orders His Mother\u2019s Execution<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
99<\/div>\n<\/td>\n
\n
The Path Called Trop Donner<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
100<\/div>\n<\/td>\n
\n
Fole Largece on Her Path to the Castle of Love<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
104<\/div>\n<\/td>\n
\n
Fortune Dispenses Wine from the Barrels of Jupiter<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
108<\/div>\n<\/td>\n
\n
Reson Leaves L\u2019Amans<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
110<\/div>\n<\/td>\n
\n
Abelard Marries Heloise<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
110<\/div>\n<\/td>\n
\n
Abelard Embraces Heloise<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
111<\/div>\n<\/td>\n
\n
The Castle of Jalousie<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
113<\/div>\n<\/td>\n
\n
Barons Proclaim Their Support to Amors<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
114<\/div>\n<\/td>\n
\n
Amors Prays for the Birth of Jean de Meun<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
114<\/div>\n<\/td>\n
\n
Fausemblant and Amors Converse<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
119<\/div>\n<\/td>\n
\n
Larrecin is Hung<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
121<\/div>\n<\/td>\n
\n
Lucretia is Raped<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
121<\/div>\n<\/td>\n
\n
Amis Describes the Golden Age<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
122<\/div>\n<\/td>\n
\n
Amis Instructs L\u2019 Amans to Use Gifts<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
123<\/div>\n<\/td>\n
\n
Husband Cares for Sick Wife<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
123<\/div>\n<\/td>\n
\n
Husband Embraces Wife<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
124<\/div>\n<\/td>\n
\n
Jalous Beats His Wife<\/div>\n<\/td>\n
\n
14<\/div>\n<\/td>\n<\/tr>\n
\n
125<\/div>\n<\/td>\n
\n
Amors Speaks to Fausemblant and Contreinte Atenance<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
125<\/div>\n<\/td>\n
\n
Jalous Berates His Wife<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
127<\/div>\n<\/td>\n
\n
Portrait of Fain<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
129<\/div>\n<\/td>\n
\n
Hercules\u2019 Labors<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
129<\/div>\n<\/td>\n
\n
Baraz Leads Povrete and Larrecin<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
130<\/div>\n<\/td>\n
\n
Contreinte Atenance and Fausemblant Before Amors<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
132<\/div>\n<\/td>\n
\n
L\u2019Amans Finds Richece<\/div>\n<\/td>\n
\n
15<\/div>\n<\/td>\n<\/tr>\n
\n
132<\/div>\n<\/td>\n
\n
The Golden Age<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
133<\/div>\n<\/td>\n
\n
Husband and Wife as Equals<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
134<\/div>\n<\/td>\n
\n
Povrete Speaks to Richece<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
134<\/div>\n<\/td>\n
\n
The Garden of Deduiz<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
136<\/div>\n<\/td>\n
\n
Richece Receiving Gifts<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
138<\/div>\n<\/td>\n
\n
Povrete and Larrecin<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
139<\/div>\n<\/td>\n
\n
Fausemblant Before Amors<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
139<\/div>\n<\/td>\n
\n
Lucretia Kills Herself<\/div>\n<\/td>\n
\n
7<\/div>\n<\/td>\n<\/tr>\n
\n
142<\/div>\n<\/td>\n
\n
Chastete Beaten by Biautez and Ledeur<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
144<\/div>\n<\/td>\n
\n
Hare Hunt<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
147<\/div>\n<\/td>\n
\n
Fausemblant with His Treasure<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
147<\/div>\n<\/td>\n
\n
Douz Regart Brings L\u2019Amans to Bel Acueil<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
147<\/div>\n<\/td>\n
\n
Amors Makes Fausemblant King<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
150<\/div>\n<\/td>\n
\n
The Diabolical Book<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
151<\/div>\n<\/td>\n
\n
Jupiter Castrates Saturn<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
151<\/div>\n<\/td>\n
\n
Vieille Gives Bel Acueil the Crown of Flowers<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
152<\/div>\n<\/td>\n
\n
Jupiter and Juno<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
152<\/div>\n<\/td>\n
\n
Amors Assembles His Barons<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
154<\/div>\n<\/td>\n
\n
The Coronation of the First King<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
154<\/div>\n<\/td>\n
\n
Amis Shows L\u2019Amans Three Enemies<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
155<\/div>\n<\/td>\n
\n
L\u2019Amans Departs<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
157<\/div>\n<\/td>\n
\n
Venus with Adonis<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
161<\/div>\n<\/td>\n
\n
Bel Acueil Accepts the Crown of Flowers<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
164<\/div>\n<\/td>\n
\n
Fausemblant and Contreinte Atenance Cut Out Malebouche\u2019s Tongue<\/div>\n<\/td>\n
\n
10<\/div>\n<\/td>\n<\/tr>\n
\n
168<\/div>\n<\/td>\n
\n
Contreinte Atenance and Fausemblant Approach Malebouche<\/div>\n<\/td>\n
\n
9<\/div>\n<\/td>\n<\/tr>\n
\n
169<\/div>\n<\/td>\n
\n
Jason\u2019s Quest for the Golden Fleece<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
171<\/div>\n<\/td>\n
\n
Contreinte Atenance and Fausemblant Speak to Malebouche<\/div>\n<\/td>\n
\n
9<\/div>\n<\/td>\n<\/tr>\n
\n
172<\/div>\n<\/td>\n
\n
Vieille Comes to L\u2019Amans<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
172<\/div>\n<\/td>\n
\n
Fausemblant, Contreinte Atenance, Cortoisie and Largesce Speak to Vieille<\/div>\n<\/td>\n
\n
7<\/div>\n<\/td>\n<\/tr>\n
\n
173<\/div>\n<\/td>\n
\n
Fausemblant and Contreinte Atenance with Dangier<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
176<\/div>\n<\/td>\n
\n
Contreinte Atenance and Fausemblant<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
177<\/div>\n<\/td>\n
\n
Medea Kills Her Children<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
178<\/div>\n<\/td>\n
\n
Contreinte Atenance and Fausemblant Dressed as Pilgrims<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
179<\/div>\n<\/td>\n
\n
Vielle Leaves Contreinte Atenance and Fausemblant to go to Bel Acueil<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
181<\/div>\n<\/td>\n
\n
The Wife\u2019s Tryst<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
182<\/div>\n<\/td>\n
\n
L\u2019Amans Gives Bel Acueil the Crown of Flowers<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
187<\/div>\n<\/td>\n
\n
Franchise and Barons Come to L\u2019Amans\u2019 Aid<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
188<\/div>\n<\/td>\n
\n
Dangier, Peor and Honte<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
188<\/div>\n<\/td>\n
\n
Horace Teaching Women<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
189<\/div>\n<\/td>\n
\n
Vieille Speaks to Bel Acueil<\/div>\n<\/td>\n
\n
16<\/div>\n<\/td>\n<\/tr>\n
\n
189<\/div>\n<\/td>\n
\n
Contreinte Atenance and Fausemblant Scold Malebouche<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
193<\/div>\n<\/td>\n
\n
Genyus Arrives Before Amors<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
194<\/div>\n<\/td>\n
\n
Fausemblant Offers His Heart to Contreinte Atenance<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
195<\/div>\n<\/td>\n
\n
Amors and Barons Come to L\u2019Amans Aid<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
196<\/div>\n<\/td>\n
\n
Bel Acueil Thanks L\u2019Amans<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
197<\/div>\n<\/td>\n
\n
Dangier Beats L\u2019Amans<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
199<\/div>\n<\/td>\n
\n
Amors and Venus Swear an Oath<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
201<\/div>\n<\/td>\n
\n
Amors Takes Fausemblant Into His Service<\/div>\n<\/td>\n
\n
7<\/div>\n<\/td>\n<\/tr>\n
\n
201<\/div>\n<\/td>\n
\n
Queen Dido Kills Herself<\/div>\n<\/td>\n
\n
7<\/div>\n<\/td>\n<\/tr>\n
\n
202<\/div>\n<\/td>\n
\n
Dangier Before the Castle of Jalousie<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
204<\/div>\n<\/td>\n
\n
Genyus Absolves Nature<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
204<\/div>\n<\/td>\n
\n
Honte Fights Amors\u2019 Army<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
204<\/div>\n<\/td>\n
\n
Dangier, Peor and Honte Capture L\u2019Amans<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
204<\/div>\n<\/td>\n
\n
Author (Jean de Meun) Speaking to Young Men<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
205<\/div>\n<\/td>\n
\n
Franchise and Pitie Fight Dangier<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
208<\/div>\n<\/td>\n
\n
Procreating Couple<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
209<\/div>\n<\/td>\n
\n
The Battle Before the Castle Begins<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
211<\/div>\n<\/td>\n
\n
Franchise Fights Dangier<\/div>\n<\/td>\n
\n
15<\/div>\n<\/td>\n<\/tr>\n
\n
212<\/div>\n<\/td>\n
\n
Cortoisie Speaks to Bel Acueil<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
213<\/div>\n<\/td>\n
\n
Phyllis Kills Herself<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
213<\/div>\n<\/td>\n
\n
Samson and Delilah<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
215<\/div>\n<\/td>\n
\n
Battle of Amors\u2019 Barons and Castle Guards<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
218<\/div>\n<\/td>\n
\n
Honte and Deliz Join Pitie and Dangier<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
219<\/div>\n<\/td>\n
\n
Vulcan Catching Mars and Venus in Bed<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
219<\/div>\n<\/td>\n
\n
Pitie Rescues Franchise<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
220<\/div>\n<\/td>\n
\n
Deliz Fights Honte<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
220<\/div>\n<\/td>\n
\n
Pitie Subdues Dangier<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
222<\/div>\n<\/td>\n
\n
Venus Speaks to Honte and Peor<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
224<\/div>\n<\/td>\n
\n
The Assault on the Castle<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
224<\/div>\n<\/td>\n
\n
Death of Adonis<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
228<\/div>\n<\/td>\n
\n
Origen Castrates Himself<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
229<\/div>\n<\/td>\n
\n
Art Kneels Before Nature<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
230<\/div>\n<\/td>\n
\n
Nature Calls on Genyus to Hear Her Confession<\/div>\n<\/td>\n
\n
8<\/div>\n<\/td>\n<\/tr>\n
\n
231<\/div>\n<\/td>\n
\n
Nature Grieves<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
231<\/div>\n<\/td>\n
\n
The Castle is Set on Fire<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
232<\/div>\n<\/td>\n
\n
Cortoisie, Pitie and Franchise Find Bel Acueil<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
233<\/div>\n<\/td>\n
\n
Empedocles Jumps Into the Fire<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
233<\/div>\n<\/td>\n
\n
Husband Foolishly Confides in Wife<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
233<\/div>\n<\/td>\n
\n
Amors Vests Genyus as Bishop<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
235<\/div>\n<\/td>\n
\n
L\u2019Amans in the Castle<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
236<\/div>\n<\/td>\n
\n
Nature Confesses to Genyus<\/div>\n<\/td>\n
\n
14<\/div>\n<\/td>\n<\/tr>\n
\n
236<\/div>\n<\/td>\n
\n
Franchise and Douz Regart Bring Message to Venus<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
238<\/div>\n<\/td>\n
\n
Pygmalion Dresses the Image<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
239<\/div>\n<\/td>\n
\n
Dangier, Peor and Honte Beat L\u2019Amans<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
240<\/div>\n<\/td>\n
\n
Pygmalion Petitions Venus<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
241<\/div>\n<\/td>\n
\n
The Caged Bird Longing for the Forest<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
242<\/div>\n<\/td>\n
\n
Venus Comes in Her Chariot<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
244<\/div>\n<\/td>\n
\n
Dangier Orders L\u2019Amans to Leave<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
244<\/div>\n<\/td>\n
\n
Nature at Her Forge<\/div>\n<\/td>\n
\n
9<\/div>\n<\/td>\n<\/tr>\n
\n
244<\/div>\n<\/td>\n
\n
Vieille Helps L\u2019 Amans Enter Castle<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
247<\/div>\n<\/td>\n
\n
Paris Leaves Oenone<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
247<\/div>\n<\/td>\n
\n
Medea Helps Jason with the Fire-Breathing Oxen<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
251<\/div>\n<\/td>\n
\n
Pitie Fights Dangier<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
253<\/div>\n<\/td>\n
\n
Hardement Fights Peor<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
259<\/div>\n<\/td>\n
\n
Pygmalion Finds Galatea Alive<\/div>\n<\/td>\n
\n
6<\/div>\n<\/td>\n<\/tr>\n
\n
260<\/div>\n<\/td>\n
\n
The Fish in the Net<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
261<\/div>\n<\/td>\n
\n
A Dreamer<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
263<\/div>\n<\/td>\n
\n
Genyus Preaching Nature\u2019s Message<\/div>\n<\/td>\n
\n
13<\/div>\n<\/td>\n<\/tr>\n
\n
264<\/div>\n<\/td>\n
\n
Nature Before God in Heaven<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
265<\/div>\n<\/td>\n
\n
Venus Agrees to Help Amors<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
265<\/div>\n<\/td>\n
\n
Venus and Barons Assault the Castle<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
266<\/div>\n<\/td>\n
\n
A King<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
267<\/div>\n<\/td>\n
\n
Deucalion and Pyrrha Follow Themis\u2019 Counsel<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
270<\/div>\n<\/td>\n
\n
God Tells Kings He is Their Father<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
272<\/div>\n<\/td>\n
\n
Albumazar and the Virgin and Child<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
276<\/div>\n<\/td>\n
\n
Genyus Changes His Clothes<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
278<\/div>\n<\/td>\n
\n
Pygmalion Carves the Image<\/div>\n<\/td>\n
\n
7<\/div>\n<\/td>\n<\/tr>\n
\n
279<\/div>\n<\/td>\n
\n
Zeusis Draws the Virgins<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
281<\/div>\n<\/td>\n
\n
The Three Fates: Atropos?<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
281<\/div>\n<\/td>\n
\n
Deucalion and Pyrrha Create Men and Women<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
281<\/div>\n<\/td>\n
\n
Venus Attacks the Castle<\/div>\n<\/td>\n
\n
5<\/div>\n<\/td>\n<\/tr>\n
\n
284<\/div>\n<\/td>\n
\n
Dangier Calls for Help<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
284<\/div>\n<\/td>\n
\n
Honte Fights Pitie and Deliz<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
284<\/div>\n<\/td>\n
\n
Venus Strings Her Bow<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
285<\/div>\n<\/td>\n
\n
Bien Celer Fights Honte<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
286<\/div>\n<\/td>\n
\n
Pygmalion Starts Carving Image<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
286<\/div>\n<\/td>\n
\n
Venus Burns the Castle<\/div>\n<\/td>\n
\n
11<\/div>\n<\/td>\n<\/tr>\n
\n
288<\/div>\n<\/td>\n
\n
Cortoisie Shows Bel Acueil Malebouche\u2019s Body<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
289<\/div>\n<\/td>\n
\n
Nature Provides L\u2019 Amans With Pilgrim\u2019s Staff and Purse<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
290<\/div>\n<\/td>\n
\n
The Fountain of Life<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
290<\/div>\n<\/td>\n
\n
Jean de Meun Before the Trinity<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
292<\/div>\n<\/td>\n
\n
The Phoenix<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
292<\/div>\n<\/td>\n
\n
Pygmalion Asks the Image for Grace<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
292<\/div>\n<\/td>\n
\n
Nature Sends Genyus to Deliver her Message<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
293<\/div>\n<\/td>\n
\n
Torments of Hell: Tantalus<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
293<\/div>\n<\/td>\n
\n
Torments of Hell: Ixion<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
293<\/div>\n<\/td>\n
\n
Venus Shouts Honte Down<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
295<\/div>\n<\/td>\n
\n
The Image on the Castle<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
299<\/div>\n<\/td>\n
\n
Pygmalion Plays Music for the Image<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
300<\/div>\n<\/td>\n
\n
Pygmalion Puts the Image in His Bed<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
301<\/div>\n<\/td>\n
\n
Bien Celer Fights Honte, Hardement Fights Peor<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
302<\/div>\n<\/td>\n
\n
Pygmalion is Thankful<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
308<\/div>\n<\/td>\n
\n
Nature Discusses Nobility with Genyus<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
314<\/div>\n<\/td>\n
\n
How People Live After Jupiter is King<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n
\n
326<\/div>\n<\/td>\n
\n
The Dreamer Awakens<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
328<\/div>\n<\/td>\n
\n
Pygmalion and Galatea<\/div>\n<\/td>\n
\n
4<\/div>\n<\/td>\n<\/tr>\n
\n
332<\/div>\n<\/td>\n
\n
The Three Fates<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
339<\/div>\n<\/td>\n
\n
The Park of the Lamb<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
339<\/div>\n<\/td>\n
\n
God Sees Everything in a Mirror<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
346<\/div>\n<\/td>\n
\n
Torments of Hell: Hanged Man<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
347<\/div>\n<\/td>\n
\n
Torments of Hell: Grill<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
347<\/div>\n<\/td>\n
\n
Torments of Hell: Boiling Water<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
347<\/div>\n<\/td>\n
\n
Torments of Hell: Burning<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
348<\/div>\n<\/td>\n
\n
Torments of Hell: Tityus<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
348<\/div>\n<\/td>\n
\n
Torments of Hell: Sisyphus<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n
\n
354<\/div>\n<\/td>\n
\n
L\u2019Amans Picks the Rose<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n
\n
522<\/div>\n<\/td>\n
\n
Nature Speaks to L\u2019Amans<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]Cette rubrique pr\u00e9sente une liste des enluminures se trouvant dans les manuscrits du Roman de la Rose ci-inclus. Nous donnons le titre de chaque peinture en anglais \u2013 \u201cIllustration Title\u201d […]<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":133,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-607","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/pages\/607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/comments?post=607"}],"version-history":[{"count":7,"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/pages\/607\/revisions"}],"predecessor-version":[{"id":1060,"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/pages\/607\/revisions\/1060"}],"up":[{"embeddable":true,"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/pages\/133"}],"wp:attachment":[{"href":"https:\/\/dlmm.library.jhu.edu\/fr\/wp-json\/wp\/v2\/media?parent=607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}